Showing posts with label JBM. Show all posts
Showing posts with label JBM. Show all posts

Monday, September 13, 2010

Go See Hear in L.A.: Sept.13-19

The top story for this week is the trio of talented female performers making appearances in town.

On Monday, Clare Burson (www.myspace.com/clareburson) arrives at the Hotel Café in support of Silver & Ash, which will be released by Rounder on Tuesday. The Memphis-bred, Brooklyn-based singer-songwriter has a sophisticated, assured sound. The history-mind Burson has crafted a song cycle about her grandmother’s life in Europe before the start of WW11. While tackling dark issues, she also creates some splendid chimey-ness on “I Will/With You.” She also was recently chronicled in the New Yorker for having an ancient piece of cheese (a story too intricate to synopsize.

On Friday, Nicole Simone (www.myspace.com/nicolesimone) has a show at the Hotel Café. I praised the L.A.-based singer-songwriter here last month, so just to briefly restate: she has a cool chanteuse vibe that recalls early Eleni Mandell.

The wonderful Elizabeth Cook (www.myspace.com/elizabethcook) comes to town from Nashville for a show at McCabe’s on Saturday. One of my favorite Americana female singers, Cook is a fun and feisty performer who can pen memorable tunes like “El Camino” and “Heroin Addict Sister” that are country without being country clichés.

There are several other interesting shows during this week too.
Tracy Bonham teams up with the duo KaiserCartel (www.myspace.com/kaisercartel) for a show at the Hotel Café on Tuesday. While I haven’t kept up much Bonham over the years, her new disc Masts of Manhatta has gotten some good notices. The KaiserCartel also have a new disc, Secret Transit, which I have heard and is a fine slice of indie pop.

Dan Mangan (www.myspace.com/danmangan), who is at the Henry Fonda on the 15th, hails from Vancouver (New Pornographers) and is on the Arts & Craft (Broken Social Scene, Feist) – and if that isn’t enough to make you curious. His album Nice, Nice, Very Nice lives up to its name with its nicely crafted literate folk-pop like the laidback but majestic “Fair Verona” and the cracked humor fanboy lament “Tina’s Glorious Comeback.”

JBM’s (www.myspace.com/jessemarchant) return to town, with a Spaceland show on 9/15. I had recommended his Hotel Café show earlier this month and I will recommend him again.

Blues icon Buddy Guy has a sit-down at the Grammy Museum on Thursday night the 16th; it's a rare chance to have an up-close opportunity to hear a living legend talk a little talking and play a little. Thursday too is when The Chapin Sisters (www.myspace.com/thechapinsisters) bring their delightful harmonies and a full band to the Echo Lounge on the 16th to showcase their new one, Two. On that night, Roy Jay (www.myspace.com/royjaymusic) opens up for Stephen Kellogg and the Sixers at the Troubadour. He has named his new album with a more locally significant title, Fairfax Avenue.

The esteemed (yet still somewhat underappreciated) Eliza Gilkyson (www.myspace.com/elizagilkyson) plays McCabe’s on Friday the 17th. The same night, Hanson will be at the House of Blues. Their latest Shout It Out comes stocked with savvy, soul-infused pop-rock.

This weekend’s Los Angeles Lobster Festival boosts a particularly strong music line with Leslie & the Badgers, We Barbarians, Fitz & The Tantrums and Dengue Fever among Saturday’s performers and John Doe & Exene headlining Sunday.

Sunday, August 29, 2010

Go See Hear in L.A.: Aug.31-Sept.5

August is closing up shop and September is putting up the “Now Open” sign. And there are a number of shows to see was Summer transitions to Autumn.

Before we hit the clubs, the Grammy Museum has a trio of excellent events this week. The sensational soul singer Mavis Staples, who has been returning to prominence in recent years, will be at the Museum on Monday night. On Tuesday night, Ray Benson, long a leader of the modern Western Swing movement, comes to celebrate the 40th anniversary of his band, Asleep At The Wheel. Then on Wednesday night, Oscar-winning Texas troubadour Ryan Bingham will be there to showcase his new album Junky Star (which I am reviewing for Country Standard Time). Get to as many of this wonderful events as you can.

Now onto the clubs:

On Tuesday night there are two notable shows on the East Side. The Submarines (Blake Hazard and John Dragonetti) surface at the Bootleg, along with Sea of Bees and Obi Best, to play some of their lovely, bittersweet indie pop in advance of their next disc slated for a fall release (www.myspace.com/thesubmarinesmusic).
Over at the the Echo, Bobby Bare Jr (www.myspace.com/bobbybarejr) does has a new release, A Storm-A Tree-My Mother’s Head, another in his fine line of endearingly ramshackled country rock efforts. Blue Giant will open as well as serve as his backing band.

On Wednesday Sept. 1, Colin Gilmore (www.myspace.com/colingilmore) comes to town for a show at Molly Malones. Besides being the son of Jimmie Dale Gilmore, Colin is a talented musician in his own right with Goodnight Lane being the most recent example of his work.

The right place to be on Thursday night is at the Santa Monica Pier for the incomparable Dr. John. The New Orleans music legend is still going strong. Earlier this year, he released the terrific Tribal album and did a colorful performance at the Grammy Museum.

Friday night finds JBM (Jesse Marchant) performing at the Hotel Café. JBM’s (www.myspace.com/jessemarchant) new album Not Even In July has more of an autumnal flavor with its handcrafted melancholic tunes that subtly warm your soul.
If you are looking for a lively (and inexpensive) way to usher in the weekend, you can enjoy a free show from Big Sandy & His Fly-Rite Boys at the Farmer’s Market.

Sara Randle (www.myspace.com/sararadle) begins a Saturday night residency at Casey’s Irish Pub on the 4th. The former Rental’s vocalist has a new album, Four, of shimmering indie pop to share.
Meanwhile, the Detroit-based Deadstring Brothers (www.myspace.com/deadstringbrothers) will be bring things to live at the Hotel Café with their rough ‘n’ tumble roots rock that I have drawn comparisons to the twangier side of the Rolling Stones.